Photography and I found each other early. I was nine years old when I made my first picture with a Polaroid instant camera—an object that felt like magic in my hands. My father, a scientist with a deep love for photographing people, filled our home with the quiet hum of cameras: a Rolleiflex TLR, a Contaflex, a Minolta SR-T 101. Surrounded by these instruments of wonder, I caught the photography bug before I even knew what it meant to “make a photograph.” That spark has grown steadily, relentlessly, and with every passing year, my passion continues to multiply.

Across several decades, my journey has taken me through a lineage of cameras—35mm, medium format, large format, film and digital. Each system has taught me something essential. But it was 4x5 large format film that shaped me most deeply. Ground-glass focusing, movements, slow deliberate composition—this discipline formed the backbone of my craft. Even today, working with a state-of-the-art medium format digital system, my process remains fully manual and fully intentional.

Photography, for me, has never been a means to fame or commercial success. It is an act of self-discovery—an ongoing meditation on who I am and how I see the world. The camera is the instrument through which I reflect, question, understand. The work is personal because the journey is personal.

My images are guided by a set of principles that also define who I strive to be: Purity. Perfection. Authenticity. Simplicity. Quality over quantity. Excellence.

Above all, photography is about the Print. The final, physical object—something one can hold, study, live with. A print is the culmination of attention, discipline, and presence. It is the only destination that matters.

What you see in my work is a distilled selection of my finest images—photographs that embody these values, crafted as film-like digital fine art prints made to be owned, shared with others, and cherished.